Michelle Segre was born in Tel Aviv, Israel in 1965. She received her BFA in 1987 from Cooper Union School of Art, and currently lives and works in New York City. Both sculptor and draftsperson, Segre is known for oversized, organic sculptures and crowded linear drawings. She approaches each medium with microscopic attention; her works are highly detailed and finely realized studies of entropic growth and disintegration. In her first print, Swamp Eyes, 2005, Segre used both line etch and spit bite aquatint to create a densely populated garden-like landscape of unfamiliar creatures. Webbed in by linear patterns emulating the organic structure of crystals, the details of the picture ebb and flow with the viewer’s eye, coming into focus and then disappearing again. Camouflaged numbers (birthdates, addresses) and letters are momentarily evident, appearing as hidden clues. The longer one looks, the more one sees, yet an attempt to decipher the composition leads only to further questions regarding subject, scale and surface.

To look up at the sky and translate that web of sensations, connections, and spaces to first drawing, and the sculptures that seem like they’ve risen out of the earth – that’s no easy feat. I’m always amazed that Michelle Segre can realize in ink a vision of a three-dimensional form that, in some way, resembles the galaxies around us. These are drawings into sculptures. Dan Nadel